Zhenghui Lan蓝正辉

Since 1985, I have investigated visual structure and symbolic systems, building an archive of approximately 100,000 hand-drawn structural studies. A three-level classification system, including levels I call Guma and Tair, organizes this work. My research asks how simple elements generate diverse structural relationships and visual qualities.

This inquiry underpins my artistic practice, with Heavy Ink painting as a major application. It remains open to further exploration in AI visual aesthetics, model training and structure generation, as well as architecture and design.

自1985年以来，我持续研究视觉结构与符号系统，积累了约十万个手绘结构单元，并逐步建立起包含 Guma、Tair 等层级的三级分类体系。我关注简单要素如何生成丰富的结构关系与视觉美感。

这项研究是我整个艺术实践的根基，重水墨是它在绘画中的重要应用。这一研究体系保持开放，具有向AI视觉审美、模型训练与结构生成，以及建筑、设计等领域拓展的应用潜力。